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Ableton live 10 suite sound library free
You will receive the download links shortly. Watch: What is Live? Ableton Live lets you easily create, produce and perform music within one intuitive interface. Live keeps everything in sync and works in real-time, so you can play and modify your musical ideas without interrupting the creative flow. Live comes with a versatile collection of instruments, sounds, kits and loops for creating any kind of music and provides a full complement of effects to tweak and process your sound.
Unzip the file and run setup. Then open Live and follow the instructions there. When opening an older Set or Preset which used Simple or Ping Pong Delay, an upgrade button will appear on the Delay device used in place of the original devices.
Introduced Channel EQ. Channel EQ is a three-band equalizer focused on immediacy. It is now possible to drop an audio file onto Wavetable’s Oscillator tabs, and use it as a wavetable. By default, the wavetable is processed and smoothed. However, Wavetable also provides a “Raw” decoding option. Please note that at this time encoded files e.
Previously, these controls were exclusively available in Sampler. In the Delay device, the maximum delay time offset is now consistent with the Simple Delay and Ping Pong Delay devices.
When mapping a parameter to an empty macro, the macro assumes the full range of the target parameter, and will be set to the current value of the target parameter. Push 2 New scales are visible on Push, and some existing scales have been renamed.
Setup Improved the performance of drag and undo commands on interactions with automation envelopes. All plugin settings now appear in a dedicated “Plugins” tab in the Preferences. Introduced system folders for VST3 plug-in scanning. Also added a button to the “Plugins” Preferences tab to enable and disable system folders. VST3 plug-ins are now scanned via a separate background process. Plug-ins that crashed during scanning no longer cause Live to crash.
In addition, Live will not need to wait for the plug-in scan to finish in order to launch. VST3 plug-in scanning now supports symlinks. For VST3 plug-ins with less than 65 parameters, the parameters are now auto-assigned after instantiation.
Sidechain routings, Gain and Mix parameters are now displayed in third-party plug-ins in the Device View. Breakpoint values would erroneously be displayed behind insert markers. When using the smallest adaptive grid possible i. Automation Previously, CC messages received in a track input might erroneously affect a clip that is playing back on a different track, even if that track was not armed.
Also, Live no longer filters out “duplicate” CC messages. Automation segments and breakpoints would appear highlighted on frozen tracks, although automation cannot be edited in such cases. In automation envelopes, the automation value display will no longer disappear after opening a context menu and moving the mouse above it. It was erroneously possible to set the insert marker or select time on a frozen automation lane. A crash could occur when loading a new Set after remote-mapping a Macro control in another track.
Live Sets could become corrupt after duplicating a clip or a track containing a clip and then adding additional notes to one of the clips. Interface Improvements Creating a looping Arrangement clip containing MIDI notes and zooming out far enough would cause the clip content to suddenly appear as a black block.
Previously, when selecting all editable text within a field, a gap would appear to the left side of text. The mouse cursor would not change when attempting to resize clips in the Arrangement, if the Session View was playing back a clip on the same track. Fixed a text glitch that occurred when displaying sample time values in Sampler or Simpler.
Additionally, the Reverb device’s Reflect and Diffuse parameter texts were cut off. Both bugs have been fixed. Fixed a bug which prevented existing Macros from connecting when grouping devices within a chain of an existing group device. Live would crash when using the “Delete Device” context menu item, while the device was being renamed. Fixed a number of inconsistencies that would occur when an AU plug-in’s parameter list changed, which could potentially leave a Live Set in a partially broken state.
Automation When hovering over automation, the cursor now indicates that a mouse click would create a new breakpoint. Modulation envelopes of disabled warper parameter envelopes now appear grayed out. The state of the Lock Envelopes switch is now ignored when pasting track content to a frozen track, and when pasting automation. This ensures that clips will sound the same when the track is unfrozen. When a Komplete Kontrol A device is connected, it is now automatically selected in the Preferences.
Interface Improvements Improved Live’s drawing performance. Previously for macro-mapped parameters, the modulation envelope would appear grayed out. Now, the automation envelope appears grayed out instead, since the modulation still has an effect on the mapped value, whereas the automation has not.
Unified the off-grid color indication for the vertical automation guide line and markers in the Arrangement and Detail View. Added minor graphics improvements for device chains. Updated the Help View’s table of contents and various info texts.
Updated some info text translations. Fixed a crash that occurred when zooming to a time selection, deleting a track and zooming back. Previously, the Edit menu’s “Cut Time”, “Duplicate Time”, and “Delete Time” commands would be incorrectly enabled when there was no time selection. A MIDI track would not be monitored during an Arrangement recording, after a clip’s playback was stopped on the same track in the Session View.
Previously, unwarped samples dragged from the browser on top of other audio clips in the Arrangement would sometimes be arbitrarily shortened. Live could crash when clicking within proximity of an Arrangement locator.
Automation Dragging the automation lane selection start to a negative time would change the selection to a content lane selection. Fixed broken clip envelopes created by the step automation feature on Push. When deleted via a parameter’s context menu, a clip automation envelope’s value line was displayed in the wrong color.
Fixed a bug which prevented dragging an automation breakpoint to 1. Previously, splitting and moving an automation envelope’s left-most line segment would shift the segment to the right.
Browser When a Collections label was assigned to a project folder, it would appear twice in the respective browser Collection. Fixed a bug which prevented drag-selecting a range of entries in the browser side bar.
Control Surfaces When using Drum Racks, nested devices would still display their visualization after the drum pad was selected in the device navigation area via the top row of buttons, on Push 2. Only the choke group and tuning settings for the drum chain should be visible in that view. Fixed a bug where the message “Parameter The “Komplete Kontrol A” remote script will now be auto-selected on Windows even when the port name is prepended with a number.
A crash might occur when undoing inserting e. File Handling In the File Manager, an Arrangement clip would be displayed multiple times under the same reference file. When video output failed to render, a pop-up would appear with the message “Do you want to delete the rendered audio?
Live could crash when using the Manage User Library feature, under certain circumstances. On Windows, if Live fails to overwrite a file during rendering, it will no longer crash. Instead, it will use a different file name. Instead, the “Export” button is now grayed out.
Fixed a crash that occurred when decoding an Ogg Vorbis file with more than two channels. Now, instead of crashing, Live will decode the first two channels as stereo, and ignore the other channels. The File Manager could fail to display anything after exiting the Manage Project tab without saving. Interface Improvements Users of Apple’s Magic Mouse would struggle to delete automation events with a single click. Added a minor UI fix for misaligned controls in plug-in racks in the Device View.
Fixed truncated text in Wavetable’s Modulation Matrix. Fixed misaligned text at high zoom levels. On dial controls, the gap now appears where the needle is, instead of the current value point.
In addition, a crash would occur when deleting a modulation envelope that was initially visible after loading a Live Set. This applies to shown and hidden VST windows.
If multiple VST windows are being opened on a non-primary screen, they will be positioned in a cascaded way instead of in a seemingly random fashion. This matches the behavior on the primary screen. The distance of cascaded VST windows’ title bars is increased so that the whole title bar is visible. Fixed a bug which caused text to bleed from the browser into the Info View, as well as other similar glitches, when using the Zoom Display feature.
Fixed truncated text in the Saturator and Resonators devices. On macOS, the color of modifier icons and text in context menus now match. Under certain conditions, zooming on certain audio waveforms would cause the Arrangement View to jump around.
Fixed a bug where the Arpeggiator device would play notes at half the set rate, when its Gate parameter was set to by entering the value with the keyboard.
Live could crash when loading certain Wavetable presets. ReWire Updated ReWire libraries to version 1. This fixes a problem where starting Live on macOS Fixed a crash that occurred after closing the error dialog informing about an unusable ASIO driver clock signal. On Windows, Live would sometimes crash while shutting down. Fixed a bug which caused Live to trigger security warnings on macOS Mojave version Fixes a bug which prevented Live from being completely bit compliant.
Edit commands for cutting, duplicating and deleting time work regardless of the current Arrangement content selection. These commands are also available if a selection exists exclusively in an automation lane.
Added a “Create Fades” command to the context menu of Arrangement tracks. Automation Added a “Create Fades” command to the context menu of Arrangement tracks. It is now possible to create and reset fades when clip content is selected in Automation Mode. Added “Clear Envelope” to the automation lane context menu and “Clear All Envelopes” to the Arrangement track header context menu. The horizontal movement of automation breakpoints creates horizontal gaps when dragging clips or nudging content or automation within a time selection.
Introduced the “Snap Automation to Grid” menu option. When enabled, automation breakpoints and segments snap to the global grid. When “Snap Automation to Grid” is disabled, the grid snapping modifier works intuitively, and a light blue vertical line indicates when the dragged breakpoint snaps to the next or previous gridline or breakpoint. Browser Color labels are now stored in the same file system folder as the files they are attached to, which makes it easier to manage browser items and their assigned colors across different Live installations.
Interface Improvements Font rendering is now more crisp at all zoom levels. Improved the speed at which the Live interface updates. Introduced the Ableton Sans Small font, which is more readable at small sizes. This change generally increases readability of all text in Live. On Windows, Live uses the keyboard’s repeat settings to determine the scroll speed of scroll bars. Increased the contrast of the spectrum in EQ Eight across all Themes. Improved Wavetable’s performance when playing simple sounds e.
Added Groove Pool info text translations. Added and updated translations for various Help View lessons. Updated built-in lessons in the Help View. Creating fades on multiple tracks would result in one undo step per fade instead of a single undo step. Zooming by scrolling now works independently from the scroll direction set in the System Preferences macOS only.
Live no longer enforces a minimum length when resizing Arrangement clips. Additionally, fixed the following bugs which occurred when freezing a track containing muted clips: The frozen track would be silent in the area of the frozen clips, even if something should have been audible there.
Freeze tail clips could overlap with the muted clips. The message “Warp Marker segment BPM limit reached” would sometimes appear in the status bar when stretching Arrangement clips, even though the limit had not been reached.
Previously, erratic scrolling would occur when there was only one Warp Marker set after “0” beat time. Also, jittering would occur when dragging and holding a Warp Marker while the grid was disabled. Autoscrolling will now always occur when dragging the loop marker to the right or the left outside the Arrangement.
Parameters that have no effect on the current Warp Mode are now correctly displayed as disabled in the Clip Envelope Control chooser.
Before, it was only applied when either the fade-in end time or the fade-out start time were within the current time selection. Automation Deleting a breakpoint by clicking on it would accidentally move the breakpoint instead, when using a graphics tablet.
The content selection of automation lanes is now restored after undo and redo operations. Until now, only the content selection of the content lane was restored. Breakpoints can no longer be moved into negative time. Fixed some issues with VST and AU plug-in parameters, particularly where unconfigured parameters were heavily adjusted within the plug-in.
Previously, fade handles could be edited using the mouse or keyboard, even after switching to Automation Mode, where the fade handles were not visible. Browser The Live browser would fail to see files from OneDrive folders.
When installing factory packs the contained “Ableton Folder Info” folder would not be hidden until the next startup. Fixed a crash that occurred when. Control Surfaces Fixed a crash that occurred when deleting a track while changing a parameter of that track via MIDI mapping.
File Handling Fixed a bug where Live would incorrectly use a previous freeze sample instead of producing a new freeze sample after changing a device parameter.
Fixed a bug which prevented AU presets from recalling parameters correctly. Fixed a crash that might occur when trying to recover from a crash.
Fixed a crash that occurred when closing Live while listed samples were selected in the File Manager. Interface Improvements Live could crash when displaying a modal plug-in dialog.
Previously when clicking the drop area of the Arrangement, the track highlight would either move back to where the time selection was last, or not move at all. On Windows 10 with HiDPI enabled, the menu bar now works as expected if the main and second window are on screens with differing pixel densities.
Waveform drawing would not work properly at certain zoom levels. On Windows, Live no longer crashes if the file dialog is shown for a long time. Live would freeze at startup when running on monitors with refresh rates above 60 Hz. Previously, “Show Modulation” would appear in the context menu of an Envelope Editor, if a Max for Live parameter with no modulation was selected in the Clip Envelope Control chooser.
In German, the text of the Export and Cancel buttons no longer overflows in the Render dialog. In the browser, the search field now has the right text color in the Dark theme. In the Groove Pool, the drop message is no longer split onto two lines.
In other places, text that appeared blurry in some buttons is now crisp again. On Windows, if you clicked a separator, the cursor would erroneously change back to a pointing cursor.
On Windows, if using a screen with a refresh rate above 60 Hz, Live’s UI would not draw smoothly and potentially lock up when loading certain plug-ins. Under certain circumstances, a Live Set could become corrupt due to an invalid Group Track structure. On Windows, Live could crash while launching in cases where it failed to position itself on the screen.
The playhead was no longer shown in the browser’s Preview Tab. Added further improvements to the UI performance on Windows in cases where Live runs on monitors with a high refresh rate. Max for Live Live could crash when loading a Set, if a Max for Live device was mapped to a macro control. Frequency, Gain and Q are automated or modulated. Adjusting Wavetable’s envelope slopes could cause the audio engine to become silent under certain conditions. Live could crash when duplicating a track containing a Wavetable instance.
Setup Fixed a bug which affected the way invalid denominator values in time signature changes were corrected once the “Enter” key was pressed. Previously, tracks created in Map Mode were not mappable. Live would not support ASIO interfaces with a single mono input channel. Update various info text translations.
Changes for Push It is now possible to fine-tune Wavetable oscillators on Push 1. Improved the performance of Push 2’s display process. With some graphics cards running on Windows, the Push 2 display process might frequently run into crashes with certain GPUs.
The copied automation will always land in the correct lane. Automation When nudging a time selection in an automation lane, the automation outside the selection remains unchanged. Enabled vertical auto-scrolling when dragging an automation lane. Additional automation lanes are now unfolded by default. Improved the horizontal movement of a range of automation segments. Ramps are no longer created when a time selected range of automation is moved by nudging or dragging horizontally and is still partially within the original time range.
Fades no longer snap to the Arrangement View grid. When connected, the Novation Launchpad S and Launchpad Mini control surfaces are now automatically selected in the Preferences. Interface Improvements Improved Live’s perfomance when resizing audio clips in the Arrangement.
Added a gap between the handle and the track of the scrollbar in the Arrangement and Session View. Sharpened the appearance of the triangle that appears above bipolar knobs. Adjusted spacing between devices and meters in device chains. Adjusted the color of the Arrangement Overview frame to increase visibility in dark Themes. Changed the color of Drum Rack label to increase visibility in the Dark Theme. Adjusted the spacing below Session View’s horizontal scrollbar so that it is centered.
Adjusted the selection frame in device groups and corrected inconsistencies in the look and behaviour of the Sampler device. A track created by dropping a single clip into the Session or Arrangement View’s Drop Area now inherits the clip color instead of the source track color. When dropping several clips at the same time, the new track still inherits the source track color, as before.
Improved the playhead smoothness on Windows. Fixed permissions issues on macOS for non-Admin accounts. Updated documentation for the Live Object Model.
Multi-core rendering in Live is now supported if a Set contains Max for Live devices. Previously, there was a possibility that all MIDI notes in a key could disappear when stretched to an extremely small size e.
This has now changed, and further stretching is not possible once notes reach a very small size. New Devices and Device Improvements Filter curve visualisations in Wavetable are updated in real time in cases where e.
Setup On Windows, Live now cleanly shuts down when a user logs out, shuts the computer down or reboots it. It also displays a message explaining why it is preventing the computer shutting down, giving the user 30 seconds to abort shutting down and save the Set.
Updated various info texts. Wavetable In Wavetable’s Mod Matrix, the left column containing target names now features bars that indicate the unmodulated and modulated value of the respective parameter. Additive modulation is indicated by a bipolar bar starting from the unmodulated value, while multiplicative modulation is indicated by a unipolar bar starting from the left. When Live’s transport is started or if there is a jump in beat time, Echo and Wavetable LFOs now update their phase if they are beat-synced.
Previously, start and end markers for unwarped audio clips were erroneously quantized to the grid. Creating a warp marker could trigger scrolling of the selected clip under certain circumstances. Previously it was not possible to adjust the loop start position in unwarped audio clips without quantization.
A crash would occur when editing the crossfade between two very short clips. Fixed a crash when removing a device that showed a parameter in an additional automation lane while the mouse is hovering over the parameter’s automation.
The “Select Track Content” context menu command would not work on multiple selected tracks. Automation Previously, when copying an Arrangement clip with existing automation to another track, automation would not be copied even if the target track and source track contained identical devices. Also, if a track is created by dragging a clip into the Arrangement drop area, all automation is now copied over and set to the the correct time.
Copying and pasting automation might lead to unexpected results, if the copied selection extended across multiple tracks.
When pressing the Option Alt key and clicking on a track’s Unfold Track button, the position of that track does not change.
Live could crash on Windows when clicking on a breakpoint while holding the grid modifier. Positioning fade handles with arrow keys was not working correctly. Browser AU plug-in default presets. Files from the “Current Project” label might fail to appear in the browser under certain circumstances. File types unsupported in certain editions and when run as a ReWire slave e.
M4A audio files would not show up in Live’s browser anymore. Control Surfaces Added bank definitions to Wavetable for third-party control surfaces. File Handling Previously it was not possible to delete files or directories with names containing slashes. Previously, toggling Automation Mode would create an Undo step. Plug-ins and Sets that are saved in directory junctions on Windows work again. Live would crash when launching the program by double-clicking a Live Set, in cases where the Live Set was corrupted.
Fixed a problem which might prevent AU presets from recalling correctly. Live’s window contents no longer briefly flicker after changes to a hardware display setup. Depending on the language used in Live, the progress of the crash recovery wasn’t visible on the splash screen because the text was clipped. Improved the drag and drop handling on HiDPI screens.
Previously, dragging a file from Explorer into Live would show the file at the wrong position in Live Windows only. Fixed a bug which caused text to overflow on top of the frame containing the browser’s search field. Fixed a bug which caused clips to be incorrectly colored when readded to a Live Set, if an. Fixed a bug where sequences of visually short borderless notes would be nearly invisible if crowded into overlapping pixel areas. Fixed a minor visual issue affecting corners in grouped devices.
Fixed a minor inconsistency in the height of notes in Arrangement clips and clip previews. Upon loading a Live Set, the clip envelope parameter selection would not be restored in the Detail View. When double-clicking and dragging a slider control, the mouse cursor would not be hidden as expected, if Pen Tablet Mode was disabled.
Meters in Live’s mixer would appear as stuck when loading a Set. Improved UI performance on Windows when resizing Arrangement clips. Fixed a bug which incorrectly applied bold formatting to chunks of text in the Help View. If HiDPI was enabled on a Windows 10 machine, the preview of a dragged object either dragged within Live or into Live would appear offset. If multiple audio clips were selected, changing a selection in the Detail View would create a wrong time selection in the Arrangement.
Removed inconsistent extra spacing from the context menu entry “Add Lane for Each Automated Envelope” in automation lane headers. Previously, some radio buttons in certain devices displayed unreadable text. On Windows, dropping files from Addictive Drums 2 into Live works again. When renaming Arrangement clips, the wrong mouse cursor would be displayed, making it difficult to insert the cursor at the desired position.
The grayed out text “Open Groove Pool On Windows, if a plug-in showed a modal dialog, the main window could not be closed while that dialog was being shown. Horizontal sliders are now black instead of white in the Dark Theme this is particularly noticeable for plug-in device parameters in the Detail View. Restored Hints functionality. Live could crash when deleting a Max for Live device which had a fullscreen window.
Live’s main window can no longer obscure all other windows when using Max for Live devices. The Max patcher window is now correctly sized on Windows. Text in message boxes would sometimes appear cut off. Various nodesnames attribute improvements. Fixed issues with adding new objects to presentation mode. Seq object now properly records MIDI. Firewall permissions dialog is appropriately suppressed in the Max for Live editor. HiDPI: improved drawing when changing Windows display settings.
Max Authorization Window: improved wording and user options. Performing an Undo after Macro-mapping a Max parameter would leave that parameter unmapped and unusable. Live would crash when dragging a Live device on top of a Max for Live device.
Mapping Device Rack Macros to a live. MIDI editor When folding an empty MIDI clip in a Drum Rack that contained at least one chain receiving all notes, the clip would fold to that chain only, whereas now the clip will not fold at all. Also, when switching between audio clips while a warp marker was selected, the Seg. BPM box would erroneously show the tempo of the previously selected marker. This would also lead to jumps in the displayed waveform visualization when the tempo was adjusted.
In a multi-clip editing scenario, notes of all clips are taken into account, whereas previously only the notes of the foreground clip were considered. Additionally, fixed a bug which prevented the vertical zoom state from initializing correctly under certain circumstances. Fixed a few minor bugs in the MIDI Editor: when selecting one out of many selected notes, the selection would not revert to the selected note when opening the context menu while hovering over a background note, and then clicking outside of the context menu, the background note would remain in a hovered state when hovering over a background note, it was possible to highlight a momentarily invisible foreground note Multi Clip Editing Previously, the adaptive grid size of a newly created clip could sometimes be incorrectly calculated when multi-clip editing.
Navigation Tracks in the Arrangement View would scroll out of view completely when toggling Automation Mode if the highlighted track was not visible. When resizing an Arrangement track, only tracks whose header is selected will be resized. Previously, a track might be erroneously resized if a content selection existed on that track. When scrolling up and down in the Arrangement View using a mousewheel, the view would only move in very small increments.
Previously, when extracting a Drum Rack chain to a new track, the zoom level and time selection were erroneously applied to the newly created clip. When undoing the deletion of a note while in Arrangement View, the Clip View zoom level unexpectedly zoomed in to that note. Previously, scrolling the Arrangement’s mixer section with a mousewheel was not possible. Previously, the time selection status display would not get updated when selecting a clip in the Arrangement. The grid modifier would not toggle the grid when changing the time selection or moving the insert marker with the arrow keys.
Dragging a device over a Session return track header that overlapped a group device chain header would cause erratic scrolling in Session View. Nested Groups Fixed a crash that occurred when duplicating a nested Group Track containing a plug-in with an active modal dialog while Live’s second window was open. New Devices and Device Improvements The Arpeggiator device could lead to crashes under certain circumstances.
AU plug-in parameters might behave erratically when being controlled with the mouse, under certain circumstances. It was erroneously possible to tweak parameters in the expanded view of certain devices, even if the track was frozen. Under certain circumstances, some Wavetable and Echo parameters would not respond smoothly. Simpler’s settings would not be recalled correctly, if the device was set to Slice by Beat and its playback was not warped. Echo’s timing would change when exporting audio at a different sample rate than the one currently in use.
Under certain circumstances, Wavetable’s polyphonic voice stealing would cause certain notes to get stuck. A crash might occur when trying to preview a Live Clip in Live’s browser, if this referenced a Wavetable device.
The switches on the left side of the Glue Compressor device are now centered. Certain parameter names would be truncated in the left column of Wavetable’s Modulation Matrix.
Dropping many samples onto a Simpler or a Drum Rack would take much longer in Live 10 than it did in Live 9. Live could crash when loading certain Wavetable presets from the Core Library. Setup Fixed a bug which caused a “Preferences. Fixed a crash which occurred on startup under certain circumstances.
On certain Windows machines, attempting to authorize Live 10 would fail. Live was not able to prevent entering Sleep mode or turning off the display on Windows. Wavetable The animated sliders beneath the modulation target names would occasionally not appear in Wavetable. Improved Wavetable’s impact on CPU under certain circumstances.
Changes for Push: Push Improved the display of Live’s color palette on third-party control surfaces. Updated Push 2’s firmware to version 1. This version contains the updated color palette for Live Envelope visualizations are now available for Wavetable on Push 2. It is now possible to select wavetables in the Wavetable device on Push 1. Push bugfixes: Push The clip color palette for Push 1 was updated to match the Live 10 color palette. The Push 1 browser would not display entries correctly if Live’s language was set to Japanese.
Fixed parameter sensitivities for Analog and Impulse devices on Push 2. Push Device Visualization Wavetable’s filter visualization on Push 2 might be displayed incorrectly after the Control Surface script was reinitialized.
A device’s color would not update correctly on Push 2 when moving the device to a new track. Push 2’s display failed to indicate that an automation existed for certain Wavetable filter parameters. Fixed envelope slope visualizations in Wavetable on Push 2. Added missing parameters and icons for Operator and Analog’s parameter banks on Push 2.
Fixed a scenario where Push 2’s display could crash when hot-swapping AU plug-in presets. The Note Settings view would close after touching an encoder, if all notes were being edited Push 1 and Push 2. It is now possible to copy, paste, duplicate and nudge a time selection that spans across automation lanes in multiple tracks.
When an Arrangement selection resides on an automation lane, the text for nudging changes from “Nudge Clip s ” to “Nudge Envelope s “. While dragging MIDI clips, notes are drawn in the range of the target track. This enables seeing the content of the clips in the context of the target track.
Automation It is now possible to extend a selection from an automation lane to the content lane of the same track. Introduced a “micro-snapping” behavior: clips, loop markers and warp markers snap to a grid line even if the grid is off, if the distance to that grid line does not exceed 1 pixel. Compressor Dynamics processing to add punch and loudness. Delay A simple delay with Ping pong behavior, filter modulation and the ability to infinitely repeat the input signal.
Gate Dynamics processing for noise reduction and decay or reverb shaping. Grain Delay Granular delay with controlled or randomized pitch. Limiter Sets an absolute output limit, suitable for mastering.
Looper Records, loops and overdubs audio, based on classic hardware looping pedals. Phaser-Flanger Updated for Live 11 Phaser-Flanger has a new, lusher sound with increased frequency and modulation ranges. Redux Updated for Live 11 Redux adds a wider range of sounds from vintage digital gear including harsh distortion, digital and aliasing artifacts, as well as warm and saturated 8-bit textures.
Reverb Simulates the acoustics of real or imaginary rooms. Saturator Waveshaping distortion for adding dirt, punch and warmth. Tuner Tuner shows the incoming pitch and its distance from the nearest semitone, helping you quickly get instruments in tune. Utility Multipurpose tool for adjusting gain, phase, stereo width and more.
Align Delay New in Live Useful for compensating for lag in sending audio, command messages, or other signals out of the digital realm. Drum Buss A one-stop workstation for drums, capable of adding warmth, distortion, drive, compression, transient shaping, plus a dedicated low end section.
Dynamic Tube Tube saturation for added harmonics and warmth. Envelope Follower Now in Live 11 Standard Use the envelope of any audio material to control device parameters. EQ Eight Eight parametric filters with a variety of controls for shaping timbre. External Audio Effect A tool for integrating your external hardware effects into your Live Sets with the ease and flexibility of plug-ins. Filter Delay Three delay lines with independent filtering, feedback, stereo position, and more.
Glue Compressor Analog-modeled compressor based on the classic bus compressor from a famous 80s mixing console. Multi-band Dynamics Upward and downward compression and expansion of up to three frequency bands. Overdrive Distortion effect based on classic guitar pedals. Resonators Five parallel, tunable resonators that apply a tonal character to incoming audio.
Shaper Now in Live 11 Standard A flexible envelope modulation device for creating custom modulation shapes. Shifter Updated for Live Spectrum Realtime analysis and visualization of incoming audio.
Vinyl Distortion Emulates the noise and distortion of vinyl records. Amp Emulates the sound and character of seven classic guitar amplifiers. Cabinet Emulates the sound and character of five classic guitar cabinets. Color Limiter Another flavor of limiting inspired by the gritty sounds achievable with hardware limiters.
The Saturation and Color parameters are the key to its characterful sound. Convolution Reverb Capture the characteristic reverb of real physical spaces with advanced sound shaping.
Corpus Updated for Live 11 Simulates the acoustic characteristics of seven types of resonant objects. CV Envelope Follower Use the envelope of any audio material to control device parameters. CV Shaper A flexible and envelope modulation device for creating custom modulation shapes.
CV Utility Merge multiple modulation signals to generate new shapes. Echo The sound of classic analog and digital hardware delays in a single device. Gated Delay A delay with a gate sequencer that sends the incoming signal to a delay line on activated steps. Much like a send effect that is turned on and off in a defined rhythm.
Hybrid Reverb New in Live 11 Combines convolution and algorithmic reverbs. Place your sounds in any space, from accurate real-life environments to those that defy physical reality. Pedal Brings the analog character of overdrive, distortion and fuzz stompbox effects. Pitch Hack A single delay line with transposition control, as well as the ability to reverse audio, randomize the transposition interval and fold the delayed signal back into itself.
PitchLoop89 New in Live 11 Create jittery glitch effects, delayed digital shimmers and outlandish vibrato with this Max for Live pitch shifting device created in collaboration with Robert Henke. Re-Enveloper A multiband envelope processor that divides the signal into three adjustable frequency bands. Attack and Release knobs control the responsiveness of the effect.
Spectral Blur Creates sounds and textures best described as reverb-like. A user-defined frequency range of a signal is blurred to create a dense, cloud of sound. Spectral Resonator New in Live 11 A sound mangling device that can make anything passing through it sound completely unlike the source material. Use the MIDI sidechain input to process material in key with its surrounding musical elements — like playing an effect as if it were an instrument.
Spectral Time New in Live 11 Re-synthesize your sounds and feed them into a network of filters, dynamics, reverb and delay, to add metallic echoes, pitch shifting and space to any sound source. Freeze the sound to capture and hold a slice of the audio and alter its characteristics in real time. Surround Panner Multichannel Panning device for surround mixing with multi-channel speaker setups. Arpeggiator Takes individual notes from a held chord and plays them as a rhythmical pattern.
Rotating Rhythm Generator Create organic rhythms and experiment with modular style beat generation. Melodic Steps A fast and intuitive MIDI sequencer for evolving melodies with an interface designed to encourage experimentation and new discoveries through play.
Unique Session View for quick, intuitive composition, flexible performance and improvisation. Nondestructive editing with unlimited undo. Powerful MIDI sequencing of software and hardware instruments. Advanced warping and real-time time-stretching. Group tracks Use multiple levels of groups to mix with greater flexibility and manage detailed arrangements more easily.
Comping New in Live 11 Record multiple takes of a performance, then combine the best ones. Linked-track editing New in Live 11 Link two or more tracks to edit their content simultaneously. Multiple automation lanes.
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Transient Machines is a Max for Live Ableton live 10 suite sound library free that allows for deep sound-shaping possibilities. Flatpack Analogik Waves II offers a new collection of unique, highly customizable analog sounds to add to your arsenal. Mad Beatz by KJ Sawka. Software Instruments. Microtron captures the saturated источник sounds of the Mellotron — the tape-replay instrument made famous by the Beatles, Genesis and other bands. The users can deal sounf different sections of the audio as well as use a rich library of sounds to enhance the music.
