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The Ellipse Tool. The Polygon Tool. The Star Tool. The Flare Tool. The Line Segment Tools. The Line Segment Tool. The Arc Tool. The Spiral Tool. The Rectangular Grid Tool. The Polar Grid Tool. Editing Lines and Shapes. The Stroke Panel. Contents The Cutting Tools. The Scissors Tool. The Knife Tool. The Selection Tools. The Selection Tool. The Direct Selection Tool.

The Group Selection Tool. The Magic Wand Tool. The Lasso Tool. The Eyedropper Tool. The Select Menu. The Pencil Tool. Freeform Paths.

Closed Paths. Editing Pencil Paths. The Smooth Tool. The Path Eraser Tool. The Eraser Tool. The Paintbrush Tool. Creating a Custom Brush.

Brush Libraries. The Blob Brush Tool. The Pen Tool. Drawing Straight Lines. Drawing Curved Lines. Combining Straight and Curved Lines. Editing Paths. Adding Anchor Points. Deleting Anchor Points. Editing with the Direct Selection Tool. Arranging Objects.

Group and Ungroup. Copy and Paste. Cut and Paste. Align and Distribute. Aligning or Distributing to a Selection. Aligning or Distributing to a Key Object. Aligning or Distributing to the Artboard. Shape Modes.

Isolation Mode. Entering Isolation Mode. Exiting Isolation Mode. Understanding Layers. Creating a New Layer. Renaming a Layer.

Setting Layer Options. Using the Layers Panel. Layers Panel Buttons. The Layers Panel Options Menu. Making a Template Layer. Tracing Artwork.

Reorganizing Layers. Dragging and Dropping. Collect In New Layer. Send To Current Layer. Selection Indicator Drag and Drop. Targeting a Layer. The Color Panel.

Changing Color Modes. Applying Color from the Color Panel. The Color Picker. The Out-of-Gamut Alert Triangle. Contents The Color Guide Panel. The Edit Colors Dialog Box. The Swatches Panel. Applying Color. Types of Swatches. Creating a New Swatch. Creating a Tint of a Color. Swatch Libraries. Pantone and Other Color Books. Creating Custom Swatch Libraries. Editing Colors. Adobe Kuler. The Type Tool. Placing Type. Point Type. Area Type. Formatting Type.

The Character Panel. The Paragraph Panel. The OpenType Panel. The Area Type Tool. Type on a Path Tool. Vertical Type Tools. The Vertical Type Tool. The Vertical Area Type Tool. Vertical Type on a Path Tool. Wrapping Text Around an Object. Warping Text with Envelope Distort. Make With Warp. Make With Mesh. Make With Top Object. Fitting a Headline.

Spell Check. Show Hidden Characters. Change Case. Inserting Glyphs. Using Smart Punctuation. Converting Type to Outlines. The Transformation Tools. The Rotate Tool. The Scale Tool. The Shear Tool. The Reshape Tool. The Move Tool. The Free Transform Tool. The Transform Panel. Transform Menu Commands. The Reshaping Tools. Applying Patterns. Pattern Libraries. Creating Patterns.

Expanding Patterns. Editing Patterns. Transforming Patterns. Applying Gradients. Gradient Libraries. The Gradient Panel. Saving Gradients. The Gradient Tool. The Symbols Panel. Symbol Libraries. Creating Custom Symbol Libraries. Working with Symbols. Creating Your Own Symbols. Editing Symbols. Deleting Symbols. The Symbolism Tools. Mapping Symbol Art to 3D Objects.

Contents Integrating Illustrator Symbols with Flash. Copying Symbols to Flash. Exporting Symbols to Flash.

Importing Symbols in Flash. The Graph Tools. Inputting Data. Adding Your Own Data. Importing Spreadsheet Data. Editing Graphs.

Changing the Graph Type. Updating Graph Data. Customizing Graphs. Selecting and Editing Parts of a Graph. Applying Custom Graph Designs. Creating Blends. The Blend Tool. Blend Options. Editing Blends.

Blend Menu Options. Clipping Masks. Creating a Clipping Mask. Editing Clipping Masks. Releasing Clipping Masks. Creating Clipping Masks from Compound Shapes. Compound Paths. Creating a Compound Path. Editing a Compound Path. Releasing a Compound Path. The Transparency Panel. The Transparency Panel Options Menu.

Creating Opacity Masks. Printing with Transparency. Flattening Artwork. Blending Modes. Special Effects. Applying Effects.

Document Raster Effects Settings. Illustrator Effects. Photoshop Effects. Apply Last Effect and Last Effect. Third-Party Plug-ins for Illustrator. Adding Plug-in Preferences. Finding Third-Party Plug-ins. The Appearance Panel. Adding Strokes and Fills. Adding Effects. Duplicating Strokes, Fills, and Effects. The Graphic Styles Panel. Graphic Styles Libraries. Applying Graphic Styles. Creating Graphic Styles.

Saving Graphic Styles. Editing Graphic Styles. Breaking the Link to Graphic Styles. Deleting Graphic Styles. Live Paint. The Live Paint Bucket Tool. Editing a Live Paint Group. The Live Paint Selection Tool. Live Trace. Tracing Options. Creating a Tracing Object. Converting Tracing Objects into Vector Art. Logo Design.

Postcard Design. Editorial Illustration. Magazine Ads. Business Card Design. Stationery Design. Book Jacket Design. T-Shirt Design. Scrapbooking Design. Designing Web Layouts. Pixel Preview.

Slicing Images. Creating Slices. Adjusting Slices. Creating Buttons and Rollover Images. Creating Image Maps. Creating SVG Files. Optimizing Web Graphics. The Flash Text Panel. Saving Mobile Content. Printing Basics. Document Setup. Printing Composites. Print Dialog Box Options.

Printing Color Separations. Process Color Separations. Spot Color Separations. Printing Your Color Separations. Creating Custom Print Presets. Barbara Zuckerman. Janet Allinger. Chris Reed. Heidi Udvardy. Susan Hunt Yule. Thank you to all my dear friends in New York City and to Scott Carson, Megan Hefflin, and the other teachers and staff at Noble Desktop, each of you help to make every trip to Manhattan a special one.

Thank you to all my family and friends around this great country of ours, you know who you are. Adobe Illustrator is the number-one vector graphics program being used today by professionals.

This program is the essential tool for graphic artists, video production artists, web and interactive designers, and professionals in other industries who use graphics to communicate ideas visually in print, on the Web, in motion graphics, and via mobile devices. Adobe Illustrator CS4 is superior in design features to prior versions of the program.

It has better integration with other Adobe applications and a new and improved workspace layout, plus several new and enhanced drawing tools and controls. Who this Book Is For This book is written for illustrators, artists, designers, hobbyists, scrapbookers, craftspeople, and anyone else who wants to take their illustrations, drawings, sketches, page layouts, web designs, patterns, craft projects, and artwork into the computerized vector-art world of Illustrator.

The Structure of this Book How to Do Everything: Adobe Illustrator CS4 introduces and explains all facets of the Illustrator workspace with full-color graphic examples and screenshots to illustrate key concepts and tasks.

The book takes you step by step through the process of creating various types of illustrations, and demonstrates professional techniques, shortcuts, and solutions. Even if you have never used any illustration or graphics programs. This book is divided into four parts with a bonus gallery profiling professional illustrators at the end. Part I – Illustrator Basics The first part of this book teaches you the basics of Illustrator, including getting a workspace orientation, learning how to set up and create new documents, and finding out how to use all the general drawing, painting, selection, and arrangement tools.

Part II – The Basics and Beyond The second part goes into more advanced basic training about working with colors and swatches, using type effectively, transforming and reshaping your objects, exploring the world of patterns and gradients, working with symbols and integrating artwork with Flash, and designing custom business graphs.

Learn about creating logos, editorial illustration, print layouts, T-shirt designs, book jackets, and crafts. Web topics include web layouts, buttons and image maps, and slicing and optimizing web graphics.

The last chapter delves into printing topics so you can learn how to best prepare your work for print. Learn about their personal backgrounds and interests, and their favorite keyboard shortcuts.

Each profile includes a short bio and samples of their artwork created in Illustrator. How to Make Best Use of this Book This book can be read from front to back or as a general Illustrator reference guide. I would strongly urge new users read the book from beginning to end in a linear fashion since the chapters teach skills that successively build on one another.

Introduction For more experienced Illustrator users, feel free to skip around from chapter to chapter to discover new information as you need it. Each chapter is written to teach you how to best use the workspace, tools, and commands in Illustrator to quickly comprehend new information and start performing new tasks. With a little know-how and a few clicks of your mouse, you can learn to draw nearly anything your mind can imagine!

This chapter will introduce you to the workspace, tools, and panels. The Welcome Screen The Welcome Screen, shown in Figure , is persistent and appears when you first open Illustrator and remains visible even if no documents are open in the workspace.

Click a link and the corresponding file or web site opens. The Workspace With the exception of a few minor platform-specific interface differences and keyboard commands, Illustrator looks and. This book includes keyboard commands for both Windows and Mac, such as the following keyboard shortcuts: Windows Shortcuts.

Inside the workspace, the gray bar at the top of the screen is called the Application bar. This bar is comprised of two parts: the Menu bar on top and the Control panel below. Figure shows an example of the Control panel in support of the Selection tool. Use the various features inside the Control panel to customize your tools and edit your work as you create it. The Status Bar The status bar is located at the bottom left edge of the artboard. When visible, this area displays three special features: the current magnification of the artboard or zoom level , artboard navigation buttons, and an information display area, as seen in Figure Use the dropdown menu button to adjust the zoom setting.

When more than one artboard is detected, the first, previous, next, and last buttons become active, allowing you to quickly jump to or select the desired artboard in the workspace. The Artboard The artboard is the active rectangular area in your workspace that defines what will be printed, as shown in the example in Figure Different projects can often require different configurations of panels and tools within the workspace.

In Illustrator, you can create and save your own custom layouts and reuse them at any time. To save your own custom workspace, first set up the. Select Window Workspace Save Workspace. In the Save Workspace dialog box that opens, type in a name for this new workspace and click the OK button. To use the new workspace, select its name from the Window Workspace menu.

By default, the dock is collapsed. To expand it, click the tiny left-facing double arrows once at the top of the dock. Panels are grouped into families of similar tools. For example, the Swatches panel is grouped with the Brushes and Symbols, as shown in Figure Most panels share certain features, such as a button bar at the bottom, a flyout options menu, and the ability to expand, collapse, and be docked to the right edge of the workspace.

N Align This panel allows you to align objects. N Appearance This panel lets you view, build, and apply attributes to objects such as multiple fills, multiple strokes, transparency, and effects. N Attributes Use this panel to view overprinting information and any web URLs associated with a selected object.

N Brushes This panel lets you select a brush type. N Color Use this panel to select and apply color to your work. N Document Info Use this panel to view file information such as artboard size, color mode, font details, and ruler units.

N Gradient This panel lets you apply and adjust gradients. N Graphic Styles Use this panel to view, create, and apply custom graphic styles. N Pathfinder This panel allows you to apply transformations to add, subtract, trim, intersect, exclude, and merge objects.

N Stroke Use this panel to adjust stroke settings such as weight, miter limit, alignment, dashed line, and cap and join shape. N Swatches This panel displays preset color, gradient, and pattern swatches, custom swatches, and swatch libraries. N Symbols This panel displays preset vector symbols and symbol libraries. It also lets you define and work with new custom symbols. N To open a panel, select the panel by its name from the Window menu or use the keyboard shortcut listed next to the panel name in the Window menu.

When a panel is opened, a checkmark will appear next to the panel name in the Window menu. N To dock and undock panels, click and drag a panel by its tab to the new desired location, which can be inside the existing panel group, into another panel group, into the dock as its own panel group, or outside the dock. N To adjust the height of some of the panels within the dock, place your cursor above the dark gray divider line between any two panel groups, then click and drag when you see the vertical double-sided arrow.

N To reset the panel locations to their default layout positions, press the new Workspace button on the Control panel or select Window Workspace and choose the Basic or Essentials layout from the submenu, as seen in Figure N Transform Use this panel to apply transformations, such as scaling, rotating, and shearing, to selected artwork.

N Transparency This panel lets you adjust the opacity of selected objects, apply blending modes, and apply special opacity settings to grouped objects. Not only can you undock any panel or panel group from the docking area and put them back again, you can also completely close and reopen panels as needed, adjust the width, height, and appearance of any panel both inside and outside the dock, and drag on the tabs within a panel group to change the order of their display within the group.

Panel tab Input field. The Tools Panel The Tools panel, seen in Figure , can be expanded, collapsed, hidden, visible, docked, and undocked for freefloating placement in your workspace. To see a tooltip displaying the name and keyboard shortcut of a tool such as P for the Pen Tool , hover your mouse over any of the tool icons.

You can also do any of the following:. N To hide or show the Tools panel, select Window Tools. N To use a tool, click its icon to select it. N To undock and move the Tools panel into the workspace, click and drag it from its top tab. N To toggle between single column and double column display, click the double arrow in the tab bar at the top of the Tools panel.

Flyout Menus Each of the tools that has a tiny black triangle next to it has a flyout menu beneath it containing a family of similar tools. To see the flyout menu, like the one shown in Figure , click and hold your mouse on that tool. When the flyout menu appears, select any of the other tools by releasing your mouse when your cursor is floating above the desired tool.

N With the flyout menu showing, drag your pointer over the tiny black arrow at the right edge of the tearoff menu to detach the flyout menu onto your artboard. To tearoff any of the flyout menus, drag your mouse to the tearoff bar on the right edge of the flyout menu, as shown in Figure After you release your mouse, the tearoff menu will appear as its own moveable and closeable mini Tools panel. Tools and Tool Options This section will give you a quick overview of the Tools panel.

Figure shows you a complete listing of all the available tools on the Tools panel including all of the tools hidden in each of the flyout menus. N Magic Wand Used to make selections based on object fill and stroke color, stroke weight, object opacity, and blending mode. See Chapter 4. See Chapter 3. N Type Used to add text to the artboard. See Chapter N Line Segment Used to make line segments, spirals, and grids.

N Rectangle Used to draw primitive shapes such as rectangles, rounded rectangles, ellipses, polygons, stars, and flares. See Chapter 5. N Scale Used to scale a selected object. Neste video: Criando action para cortar pattern e clippingMask. Would you like to make your own t-shirts? Learn how to make great t-shirt designs on your computer using Adobe Illustrator. You can apply the lessons from this video to any design you like and wear the shirts you want to wear. If you’re using Adobe Illustrator CS4, you know that cropping an image can be less than a simple task.

This how-to walks you through the steps, not only showing how to place and move the image, but also how to crop it to the desired sized. Unlike Photoshop which allows you to work directly with pixels, Illustrator treats all images as whole objects. SO, watch this video and end the frustration that Adobe Illustrator can bring when you’re cropping an image.

Whether you’re a web developer or a blogger trying to get your name out there in the vast world of fashion design, creating an aesthetically pleasing website is indispensible these days – sort of like making your virtual resume. While fabricating a nice site may seem time-consuming, with a few easy Photoshop tricks you can have it up and looking sexy as hell. It’s a well-known, time-honored interior design rule that putting things under glass makes them look more precious and special.

Just like adding a spotlight to feature the soloist in a choir, placing a glass cloche or dome on top of a group of ornaments or a floral arrangement instantly adds fashionable curiosity.

This tutorial shows you how to use vector graphics to trace images in Adobe Illustrator 5 without using live trace. Do a manual trace, which will give you a little more creative control over the image you’re working on in Creative Suite 5. The Warp tool can save you a lot of time on your projects, so you’ll want to learn how to use as efficiently and effectively as possible. This tutorial uses the Microsoft logo to demonstrate this function to Adobe Creative Suite 5.

Both users new to Adobe in general and Creative Suite 5 in specific will find this tutorial useful – a quick overview on how you can use graphic styles to get the most out of each session with Adobe Illustrator. If you’re having problems figuring out how to make a rainbow in Adobe Creative Suite 5, this tutorial is for you. Some users have found this to be a bit tricky to replicate, but here are a few useful shortcuts you can take. Whether you’ve just started working with Creative Suite or want to update from CS4, this is still a valuable tutorial for you.

This video is all pen tool, all the time – one of the most basic and critical tools when working in Adobe Illustrator. How To : Create sparkles in Illustrator. How To : Make a six pointed star using the tools in Adobe Illustrator 5. How To : Convert a sketch to a vector drawing with Illustrator. How To : Create a skewed checkerboard pattern in Illustrator Check out this simple Adobe Illustrator CS4 tutorial to learn how to create a skewed checkerboard pattern.

How To : Create a cartoon cloud in Illustrator A great free video training from tasktutorial on how to create a cartoon cloud in Adobe Illustrator. How To : Create geometrical shapes in Adobe Illustrator CS4 or CS5 In this clip, you’ll learn how to use the Shapes tools to create perfectly geometrical shapes like squares and circles. How To : Create a cartoon cloud in Illustrator.

How To : Create diagrams and flowcharts in Adobe Illustrator 5. How To : Create a lens flare in Illustrator. How To : Convert an image to mosaic in Illustrator. How To : Use vector smart objects in Illustrator. How To : Make a leaf using vector graphics in Adobe Illustrator 5. How To : Create anime or manga style eyes in Adobe Illustrator 5. How To : Trace over a human eye in Adobe Illustrator with a rotoscoping technique. How To : Outline your fonts in Adobe Illustrator.

How To : Arrange paths in Illustrator. How To : Create a 3D star in Illustrator. How To : Make a plus icon in Adobe Illustrator. How To : Make your own celebrity meme t-shirts.

How To : Place and crop images with Adobe Illustrator. How To : Create a reflective glass button in Adobe Illustrator. How To : Trace an image in Adobe Illustrator 5 without using live trace. How To : Use graphic styles in Adobe Illustrator 5.

How To : Make a rainbow in Adobe Illustrator 5. How To : Use the pen tool in Adobe Illustrator 5. How To : Make folded, flowing ribbons in Illustrator CS3 Ribbons are really kind of a hot commodity, believe it or not, because they’re actually quite trick to make. How To : Create diagrams and flowcharts in Adobe Illustrator 5 If you need to make some diagrams for a school project or a flowchart for a business proposal, you can easily use Adobe Illustrator 5, part of the Creative Suite package, to create them.

How To : Create a lens flare in Illustrator Ever wondered about the flare hitting your eyes from reflective surfaces vehicle mirrors? How To : Create sparkles in Illustrator Want to create some cool effects in illustrator?

How To : Convert an image to mosaic in Illustrator Illustrator is a great tool for creating individual artwork. How To : Use vector smart objects in Illustrator Using a Vector Smart Object made in Illustrator allows you to keep your type layer fully editable and updating automatically from Photoshop. How To : Make a leaf using vector graphics in Adobe Illustrator 5 This tutorial starts with a blank project and shows you how to use vector graphics to create a simple leaf in Adobe Illustrator 5.

Distributed systems have become more fine-grained as organizations shift from code-heavy monolithic applications to smaller, self-contained …. Skip to main content. Start your free trial.

Book description This title includes additional digital media when purchased in print format. Show and hide more. Table of contents Product information. Getting to Know the Work Area Getting started Understanding the workspace Working with the Tools panel The Control panel Working with panels Using panel menus Resetting and saving your workspace Changing the view of artwork Viewing artwork Using the view commands Using the Zoom tool Scrolling through a document Navigating multiple artboards Arranging documents Document groups Using the Navigator panel Finding Resources for using Illustrator Searching for a topic in Help Checking for updates Exploring on your own Review questions Review answers 2.

Selecting and Aligning Getting started Using the Selection tool Using the Direct Selection tool Creating selections with a marquee Creating selections with the Magic Wand tool Grouping items Adding to a group Working in isolation mode Selecting similar objects Applying selection techniques Advanced selection techniques Aligning objects Aligning to a key object Aligning points Distributing objects Aligning to the artboard Exploring on your own Review questions Review answers 3.

Creating and Editing Shapes Getting started Creating a document with multiple artboards Working with basic shapes Accessing the basic shape tools Creating with shapes Outlining strokes Working with line segments Joining paths Using the Eraser tool Combining objects Working with Pathfinder effects Working with shape modes Using Live Trace to create shapes Exploring on your own Review questions Review answers 4.

Transforming Objects Getting started Working with artboards Adding artboards to the document Editing artboards Transforming content Working with rulers and guides Scaling objects Reflecting objects Rotating objects Distorting objects Shearing objects Positioning objects precisely Changing the perspective Using the Free Distort effect Making multiple transformations Exploring on your own Review questions Review answers 5.

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Intuos 3, Vista I can’t remember exactly when it started or if it’s related to something I downloaded recently like the dreaded Safari 3. Click the Save button to create a duplicate copy of the Illustrator Defaults keyboard shortcuts with your own name in order to preserve the original and keep your shortcuts separate. For perfect circles, input the same unit, such as 1 in, in both the Width and Height fields. Designing Web Layouts. Metropolitan Museum Cleveland Museum of Art. It can either be a blank file set up for a print, mobile, video, or web project, or you can start with one of the many free Illustrator template files provided by Adobe.

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Guides Once your rulers are displayed, you can easily drag nonprinting vertical and horizontal guides into the page to assist you with the alignment and placement of objects and text. Converting Tracing Objects into Vector Art.❿
 
 

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Editing Colors. Adobe Kuler. The Type Tool. Placing Type. Point Type. Area Type. Formatting Type. The Character Panel. The Paragraph Panel. The OpenType Panel. The Area Type Tool. Type on a Path Tool. Vertical Type Tools. The Vertical Type Tool. The Vertical Area Type Tool. Vertical Type on a Path Tool. Wrapping Text Around an Object. Warping Text with Envelope Distort. Make With Warp. Make With Mesh.

Make With Top Object. Fitting a Headline. Spell Check. Show Hidden Characters. Change Case. Inserting Glyphs. Using Smart Punctuation. Converting Type to Outlines. The Transformation Tools. The Rotate Tool. The Scale Tool. The Shear Tool. The Reshape Tool. The Move Tool. The Free Transform Tool. The Transform Panel. Transform Menu Commands. The Reshaping Tools. Applying Patterns. Pattern Libraries. Creating Patterns. Expanding Patterns. Editing Patterns.

Transforming Patterns. Applying Gradients. Gradient Libraries. The Gradient Panel. Saving Gradients. The Gradient Tool. The Symbols Panel. Symbol Libraries. Creating Custom Symbol Libraries. Working with Symbols. Creating Your Own Symbols. Editing Symbols.

Deleting Symbols. The Symbolism Tools. Mapping Symbol Art to 3D Objects. Contents Integrating Illustrator Symbols with Flash. Copying Symbols to Flash. Exporting Symbols to Flash. Importing Symbols in Flash. The Graph Tools. Inputting Data. Adding Your Own Data. Importing Spreadsheet Data.

Editing Graphs. Changing the Graph Type. Updating Graph Data. Customizing Graphs. Selecting and Editing Parts of a Graph. Applying Custom Graph Designs. Creating Blends. The Blend Tool. Blend Options. Editing Blends.

Blend Menu Options. Clipping Masks. Creating a Clipping Mask. Editing Clipping Masks. Releasing Clipping Masks. Creating Clipping Masks from Compound Shapes. Compound Paths. Creating a Compound Path. Editing a Compound Path. Releasing a Compound Path. The Transparency Panel. The Transparency Panel Options Menu. Creating Opacity Masks. Printing with Transparency. Flattening Artwork. Blending Modes. Special Effects. Applying Effects. Document Raster Effects Settings.

Illustrator Effects. Photoshop Effects. Apply Last Effect and Last Effect. Third-Party Plug-ins for Illustrator. Adding Plug-in Preferences. Finding Third-Party Plug-ins. The Appearance Panel. Adding Strokes and Fills. Adding Effects. Duplicating Strokes, Fills, and Effects. The Graphic Styles Panel. Graphic Styles Libraries.

Applying Graphic Styles. Creating Graphic Styles. Saving Graphic Styles. Editing Graphic Styles. Breaking the Link to Graphic Styles. Deleting Graphic Styles. Live Paint. The Live Paint Bucket Tool. Editing a Live Paint Group. The Live Paint Selection Tool. Live Trace. Tracing Options. Creating a Tracing Object. Converting Tracing Objects into Vector Art. Logo Design. Postcard Design. Editorial Illustration. Magazine Ads. Business Card Design.

Stationery Design. Book Jacket Design. T-Shirt Design. Scrapbooking Design. Designing Web Layouts. Pixel Preview.

Slicing Images. Creating Slices. Adjusting Slices. Creating Buttons and Rollover Images. Creating Image Maps. Creating SVG Files. Optimizing Web Graphics. The Flash Text Panel. Saving Mobile Content. Printing Basics. Document Setup. Printing Composites. Print Dialog Box Options. Printing Color Separations. Process Color Separations. Spot Color Separations.

Printing Your Color Separations. Creating Custom Print Presets. Barbara Zuckerman. Janet Allinger. Chris Reed.

Heidi Udvardy. Susan Hunt Yule. Thank you to all my dear friends in New York City and to Scott Carson, Megan Hefflin, and the other teachers and staff at Noble Desktop, each of you help to make every trip to Manhattan a special one. Thank you to all my family and friends around this great country of ours, you know who you are. Adobe Illustrator is the number-one vector graphics program being used today by professionals.

This program is the essential tool for graphic artists, video production artists, web and interactive designers, and professionals in other industries who use graphics to communicate ideas visually in print, on the Web, in motion graphics, and via mobile devices.

Adobe Illustrator CS4 is superior in design features to prior versions of the program. It has better integration with other Adobe applications and a new and improved workspace layout, plus several new and enhanced drawing tools and controls. Who this Book Is For This book is written for illustrators, artists, designers, hobbyists, scrapbookers, craftspeople, and anyone else who wants to take their illustrations, drawings, sketches, page layouts, web designs, patterns, craft projects, and artwork into the computerized vector-art world of Illustrator.

The Structure of this Book How to Do Everything: Adobe Illustrator CS4 introduces and explains all facets of the Illustrator workspace with full-color graphic examples and screenshots to illustrate key concepts and tasks. The book takes you step by step through the process of creating various types of illustrations, and demonstrates professional techniques, shortcuts, and solutions.

Even if you have never used any illustration or graphics programs. This book is divided into four parts with a bonus gallery profiling professional illustrators at the end.

Part I – Illustrator Basics The first part of this book teaches you the basics of Illustrator, including getting a workspace orientation, learning how to set up and create new documents, and finding out how to use all the general drawing, painting, selection, and arrangement tools. Part II – The Basics and Beyond The second part goes into more advanced basic training about working with colors and swatches, using type effectively, transforming and reshaping your objects, exploring the world of patterns and gradients, working with symbols and integrating artwork with Flash, and designing custom business graphs.

Learn about creating logos, editorial illustration, print layouts, T-shirt designs, book jackets, and crafts. Web topics include web layouts, buttons and image maps, and slicing and optimizing web graphics. The last chapter delves into printing topics so you can learn how to best prepare your work for print. Learn about their personal backgrounds and interests, and their favorite keyboard shortcuts. Each profile includes a short bio and samples of their artwork created in Illustrator.

How to Make Best Use of this Book This book can be read from front to back or as a general Illustrator reference guide.

I would strongly urge new users read the book from beginning to end in a linear fashion since the chapters teach skills that successively build on one another. Introduction For more experienced Illustrator users, feel free to skip around from chapter to chapter to discover new information as you need it.

Each chapter is written to teach you how to best use the workspace, tools, and commands in Illustrator to quickly comprehend new information and start performing new tasks. With a little know-how and a few clicks of your mouse, you can learn to draw nearly anything your mind can imagine! This chapter will introduce you to the workspace, tools, and panels. The Welcome Screen The Welcome Screen, shown in Figure , is persistent and appears when you first open Illustrator and remains visible even if no documents are open in the workspace.

Click a link and the corresponding file or web site opens. The Workspace With the exception of a few minor platform-specific interface differences and keyboard commands, Illustrator looks and. This book includes keyboard commands for both Windows and Mac, such as the following keyboard shortcuts: Windows Shortcuts. Inside the workspace, the gray bar at the top of the screen is called the Application bar.

This bar is comprised of two parts: the Menu bar on top and the Control panel below. Figure shows an example of the Control panel in support of the Selection tool. Use the various features inside the Control panel to customize your tools and edit your work as you create it. The Status Bar The status bar is located at the bottom left edge of the artboard. When visible, this area displays three special features: the current magnification of the artboard or zoom level , artboard navigation buttons, and an information display area, as seen in Figure Use the dropdown menu button to adjust the zoom setting.

When more than one artboard is detected, the first, previous, next, and last buttons become active, allowing you to quickly jump to or select the desired artboard in the workspace. The Artboard The artboard is the active rectangular area in your workspace that defines what will be printed, as shown in the example in Figure Different projects can often require different configurations of panels and tools within the workspace.

In Illustrator, you can create and save your own custom layouts and reuse them at any time. To save your own custom workspace, first set up the. Select Window Workspace Save Workspace.

In the Save Workspace dialog box that opens, type in a name for this new workspace and click the OK button.

To use the new workspace, select its name from the Window Workspace menu. By default, the dock is collapsed. To expand it, click the tiny left-facing double arrows once at the top of the dock. Panels are grouped into families of similar tools. For example, the Swatches panel is grouped with the Brushes and Symbols, as shown in Figure Most panels share certain features, such as a button bar at the bottom, a flyout options menu, and the ability to expand, collapse, and be docked to the right edge of the workspace.

N Align This panel allows you to align objects. N Appearance This panel lets you view, build, and apply attributes to objects such as multiple fills, multiple strokes, transparency, and effects. N Attributes Use this panel to view overprinting information and any web URLs associated with a selected object. N Brushes This panel lets you select a brush type. N Color Use this panel to select and apply color to your work.

N Document Info Use this panel to view file information such as artboard size, color mode, font details, and ruler units.

N Gradient This panel lets you apply and adjust gradients. N Graphic Styles Use this panel to view, create, and apply custom graphic styles.

N Pathfinder This panel allows you to apply transformations to add, subtract, trim, intersect, exclude, and merge objects. N Stroke Use this panel to adjust stroke settings such as weight, miter limit, alignment, dashed line, and cap and join shape. N Swatches This panel displays preset color, gradient, and pattern swatches, custom swatches, and swatch libraries. N Symbols This panel displays preset vector symbols and symbol libraries. It also lets you define and work with new custom symbols.

N To open a panel, select the panel by its name from the Window menu or use the keyboard shortcut listed next to the panel name in the Window menu.

When a panel is opened, a checkmark will appear next to the panel name in the Window menu. N To dock and undock panels, click and drag a panel by its tab to the new desired location, which can be inside the existing panel group, into another panel group, into the dock as its own panel group, or outside the dock. N To adjust the height of some of the panels within the dock, place your cursor above the dark gray divider line between any two panel groups, then click and drag when you see the vertical double-sided arrow.

N To reset the panel locations to their default layout positions, press the new Workspace button on the Control panel or select Window Workspace and choose the Basic or Essentials layout from the submenu, as seen in Figure N Transform Use this panel to apply transformations, such as scaling, rotating, and shearing, to selected artwork.

N Transparency This panel lets you adjust the opacity of selected objects, apply blending modes, and apply special opacity settings to grouped objects. Not only can you undock any panel or panel group from the docking area and put them back again, you can also completely close and reopen panels as needed, adjust the width, height, and appearance of any panel both inside and outside the dock, and drag on the tabs within a panel group to change the order of their display within the group.

Panel tab Input field. The Tools Panel The Tools panel, seen in Figure , can be expanded, collapsed, hidden, visible, docked, and undocked for freefloating placement in your workspace. To see a tooltip displaying the name and keyboard shortcut of a tool such as P for the Pen Tool , hover your mouse over any of the tool icons. You can also do any of the following:. N To hide or show the Tools panel, select Window Tools.

N To use a tool, click its icon to select it. N To undock and move the Tools panel into the workspace, click and drag it from its top tab. N To toggle between single column and double column display, click the double arrow in the tab bar at the top of the Tools panel. Flyout Menus Each of the tools that has a tiny black triangle next to it has a flyout menu beneath it containing a family of similar tools.

To see the flyout menu, like the one shown in Figure , click and hold your mouse on that tool. When the flyout menu appears, select any of the other tools by releasing your mouse when your cursor is floating above the desired tool.

N With the flyout menu showing, drag your pointer over the tiny black arrow at the right edge of the tearoff menu to detach the flyout menu onto your artboard. To tearoff any of the flyout menus, drag your mouse to the tearoff bar on the right edge of the flyout menu, as shown in Figure After you release your mouse, the tearoff menu will appear as its own moveable and closeable mini Tools panel.

Tools and Tool Options This section will give you a quick overview of the Tools panel. Figure shows you a complete listing of all the available tools on the Tools panel including all of the tools hidden in each of the flyout menus.

N Magic Wand Used to make selections based on object fill and stroke color, stroke weight, object opacity, and blending mode. See Chapter 4. See Chapter 3. N Type Used to add text to the artboard. See Chapter N Line Segment Used to make line segments, spirals, and grids.

N Rectangle Used to draw primitive shapes such as rectangles, rounded rectangles, ellipses, polygons, stars, and flares. See Chapter 5. N Scale Used to scale a selected object.

N Warp Used to warp transform a selected object. See Chapter 2. N Slice Used to cut selected artwork into slices prior to optimizing graphics for the Web. See Chapters 3 and Stroke and Fill Tools N Used to specify the stroke and fill color for any selected object or path. You can toggle the active status of the Fill and Stroke icons by pressing the X key on your keyboard. N Fill To specify the fill color of a selected object, click the square Fill icon to activate the fill and change the color using the Swatches or Colors panel.

N Stroke To specify the stroke color of a selected object, click the Stroke icon to activate the stroke and change the color using the Swatches or Colors panel. Screen Mode Tools N Click here or press the F key on your keyboard to toggle between three different screen modes for the workspace:. N Normal Screen Mode Shows full screen with application bar, document groups bar, artboard, rulers, Tools panel, and panels. N Full Screen Mode Shows expanded artboard with rulers. All other workspace features are hidden.

To get out of this mode, press the F key on your keyboard. Use these shortcuts at any time to access tools and features without using your mouse. To create a custom keyboard shortcut, perform the following steps: 1. Select Edit Keyboard Shortcuts to open the keyboard shortcut dialog box. Click the Save button to create a duplicate copy of the Illustrator Defaults keyboard shortcuts with your own name in order to preserve the original and keep your shortcuts separate.

You will now see this new name displaying the Set menu at the top of the dialog box. Select Tools or Menu Commands from the dropdown menu below the Set menu to see a listing of the existing tool or menu command keyboard shortcuts at the bottom of the dialog box. If the shortcut is already taken by another tool or menu command, an alert message will display in the bottom of the dialog box.

If this occurs, try a different keyboard shortcut. If the shortcut is available, the field will accept your input.

Repeat steps 4 through 6 to create additional custom shortcuts. Click the OK button to close the window and begin using the new shortcuts. In addition to these, Illustrator allows you to either work with existing presets for creating transparencies, tracings, prints, PDFs, and SWFs, or create your own custom presets for each of these, which can then be loaded into the application when working on specific projects. Preferences To access the Preferences dialog box, seen in Figure , select Edit Preferences Win or Illustrator General Preferences Mac and then choose one of the options from the flyout menu.

Once open, you can scroll through the different screens using the Previous and Next buttons to make adjustments to the different settings. Presets The Edit menu contains a list of preset options that refer to the default settings Illustrator will use when creating flattened transparencies, making image tracings, printing, creating PDFs, and exporting SWF files. By default, three resolutions are available: High, Medium, and Low.

Use High for all your press outputs and high-quality proofs; Medium for onscreen proofs and files printing to PostScript color printers; and Low for publishing web files, exporting to SVG, or files to be output on black-and-white desktop printers. When using the Live Trace tool to trace placed artwork, the tracing presets can be selected to determine how different types of artwork should be traced.

You can modify these presets and create your own through the Tracing Presets dialog box. Print Presets When printing, you can create on-the-fly printing output settings through the File Print dialog box, or you can create and use custom Print Presets, or output settings, to match jobs to specific printers.

Edit these files through the Print Presets dialog box. Preset options include Flash Player Version, type of export, curve quality, frame rate, and more.

Undoing and Automation One of the greatest things about Illustrator is the ability to undo and redo steps in your work. Illustrator supports unlimited undos, giving you the flexibility you need to try things out, change your mind, and make corrections as you go!

You can also revert your file completely to its starting point and automate repetitive tasks using the Actions panel. Repeat the Undo action as many times as needed to revert your work to the desired state.

Likewise, when you open a file, you start with a clean slate. The Actions Panel To help speed up the process of repetitious work, Illustrator comes with a whole library of prerecorded actions inside the Actions panel.

Simply put, an action is a series of prerecorded steps or operations—such as selecting a tool, selecting an object, transforming that object, and optimizing the file as a web graphic—that can be played back at the push of a button.

You can use the Actions panel to play existing actions, as well as record, play, edit, and delete your own actions. Actions can include stops, where you can perform specific tasks like drawing with the pencil tool , as well as modal controls for entering specific values into a dialog box during playback. To view the Actions panel, select Window Actions. The panel, shown in Figure , contains 22 prerecorded actions inside the Default Actions folder. A folder in this panel is called.

You can create your own Sets and fill them with your own custom actions. Actions displaying a dialog icon next to it in the Dialog column of the panel will automatically open dialog boxes requiring user input. This option can be toggled on or off in this column. Creating an Action To create a custom action, perform the following sample steps: 1. Click the Create New Set button to create a new folder for all your custom actions.

With the new Set folder selected, click the Create New Action button. In the New Action dialog box, enter a name for your action, and if desired, assign a function key and highlight color. Then, click Record. Select the object s on your artboard and perform the action s.

When finished, click the Stop button to stop the recording. In fact, one of the things that makes this tool so powerful is that it pulls its online help files from community-generated del. To open the panel, select Window Adobe Labs knowhow.

The panel, shown in Figure , lets you get quick access to online information about a selected tool or search term.

Note: You must have a live Internet connection for this feature to work. Deleting an Action To delete an entire action, a step within an action, or even an entire Set folder , drag and drop the action, step, or Set into the Delete Selection trash icon at the bottom of the panel. It can either be a blank file set up for a print, mobile, video, or web project, or you can start with one of the many free Illustrator template files provided by Adobe.

Setting up the file properly before you begin will help you avoid some common output mistakes. To change the document settings after you start working, select File Document Setup. N Name Enter a name for your document here. Use each profile as is, or as a starting point for creating a custom document profile. Choose the Browse option to select and use your own custom and third-party profiles. N Number of Artboards Create files with multiple artboards by entering a number other than 1 in the Number Of Artboards field.

Spacing and Rows fields will then become active, as well as the buttons to specify grid flow and layout orientation.

N Units Choose a unit of measure for your file and the document rulers. Options include points, picas, inches, centimeters, millimeters, or pixels. N Bleed The default Bleed options are typically set to zero, which is fine for most situations. The typical setting is a minimum of 0. Projects with bleeds are printed on oversized paper and then trimmed down. When set, bleed guidelines appear outside the edges of the artboard as an aid during layout.

N Raster Effects Raster Effects are special bitmap effects like a drop shadow that are drawn with pixels instead of vectors.

Select High ppi for all your Print projects, Medium ppi for your onscreen projects, and Low 72 ppi for your Web, Mobile and Devices, and Video and Film projects. N Transparency Grid This option appears when the Video and Film profile is selected so you can create work on a transparent background. You may access these options through the View menu. Choose Default to see your work as vectors in full color.

Select Pixel to see your work as it would appear if the art was converted from vector to rasterized pixelated art. Select Overprint to preview your work onscreen to see roughly how transparency, blending, and overprinting will look in colorseparated output. This feature is not compatible with PDFs. Click it to launch Device Central to preview your file in a variety of simulated mobile devices. The template itself remains intact no matter how many times you open instances of it.

To open and begin using a template, open one of the themed folders, select the desired file from the listing, and click the New button. Once the file is open, be sure to save the file using the File Save command. All you have to do is set up a file the way you like it—including customized settings such as swatches, brushes, rulers, grids, guides, and magnification level—and then save it as a template by selecting File Save As Template.

However, you can still modify the number of artboards in your file after the file is already open. When creating multiple artboards by hand, as described in the following, keep in mind that as you create each new artboard, an artboard order number is automatically assigned to it. The number displays in the top left corner of the artboards when the Artboard tool is selected.

Figure shows an example of a file with three artboards when the Artboard tool is selected. To set up or change the number of artboards in your open document, follow these steps: 1. Select the Artboard tool at the bottom of the Tools panel. Once the tool is selected, the main artboard in your file becomes active.

When the cursor turns into a double-sided arrow, click and drag to adjust the size. To add another artboard, click and drag in the workspace to draw a new artboard shape. Repeat steps 3 and 4 to add new artboards and reposition artboards in your layout. You may also delete an artboard, whether selected or not, by clicking its close box. Select the Artboard tool from the Tools panel. Use the Artboard tools and settings on the Control panel, seen in Figure , to adjust the attributes of the selected artboard:.

N New Artboard Click this button to add a new artboard to the center of your layout. You can then click and drag the new artboard to another location. N Display Options Menu Each artboard can have the following features turned on or off with these toggle buttons.

The icon of the last selected menu item will display to the left of the menu. N Show Cross Hairs Click here to add green cross hair guides representing the horizontal and vertical center of the artboard. With multiple artboard files, the artboards will print as separate pages in the order they were created regardless of their placement on the artboard unless you specify that some of the artboards print while others do not.

Since the size of the overscan varies from TV to TV, use a video safe area as a guide for content placement to ensure your text and graphics will fall within the action safe area of the TV screen.

You can also launch it by double-clicking the Artboard tool in the Tools panel. N File Save This opens the Save As dialog box, inside which you can choose a location for the saved file, type in a File name, select a file type from the Save As Type dropdown menu, and save your file. If the file has already been saved, the Save command will update the existing file with any recent changes. N File Save As Similar to File Save in that you will be confronted with a Save As dialog box, but your original file is closed and the Save As file becomes the opened active document in the Illustrator workspace.

N File Save A Copy This option saves a copy of the open file in your desired location with your desired file name, while leaving the original file opened. Native File Formats You should typically consider four file formats when saving your files. Also supported by some desktop publishing and drawing applications. These files support documents containing bitmap and vector graphics, text, and fonts. The EPS format is a generic vector format and the option of choice if you plan to place the file into nonAdobe programs such as Microsoft Office programs or QuarkXPress.

SVG Use this high-quality vector format when creating web graphics and art for interactive web files, such as Flash animations.

After saving in one of these formats, you can safely export or create a copy of the file in any of the supported non-native file formats, as described next. All this is done through the Illustrator Options dialog box, shown in Figure , which opens immediately after you save your file with a filename and an AI file type. Exporting Files When you need a copy of a native Illustrator file in a non-native format, use the File Export command.

The dropdown menu in the Export dialog box lists all the supported file types. Opening Files Illustrator lets you open existing Illustrator files as well as files created with other programs. You can open a file in four different ways:. Placing Artwork Placing importing artwork from another file into an open Illustrator document is different from pasting copied artwork into a file.

Illustrator supports the placement of many different file types, which are visible in the Files Of Type dropdown menu in the Place dialog box. N Linked art This gives you a low-resolution view of the linked artwork and maintains a connection with the original file. When you print the file, the linked artwork will print in full-resolution. N Embedded art This embeds a full-resolution copy of the original art into your file, which could result in a higher file size. Placed files, whether linked or embedded, are easily identified in the Control panel when the object is selected and in the Links panel, which can be opened by selecting Window Links.

Use the Links panel to view a list of all linked and embedded files and to select, update, embed, and access source artwork. Figure shows an example of both linked and embedded art. Other icons that may appear in the panel include an exclamation, indicating the linked file needs to be updated due to changes in the original artwork , and a question mark, which indicates the linked file is either missing or has been moved and the path location to the file needs updating. Moving Around the Workspace The following tools and panels will help you change the magnification of your page; reposition your view of the artwork when zoomed in or out; adjust the page orientation and units of measure on rulers; use grids, guides, and smart guides; and look at your work in the different preview modes.

The Zoom Tool Use the Zoom tool, which looks like a magnifying glass, to zoom in and out of your workspace. The area will zoom into view, filling the entire screen at the new magnification, as shown in Figure The zoom number displays in several places, including the Status bar, Document Title tab, and in the Info and Navigator panels.

The Hand Tool Use the Hand tool to reposition your view of the artboard by dragging the view up, down, left, or right. As you drag, the artboard within the work area shifts and will stay in the new position when you release your mouse.

When you release your mouse, the cursor returns to the previous tool you were using. The Navigator Panel The Navigator panel, shown in Figure , allows you to quickly view a thumbnail of your work and adjust the magnification. A colored box in the thumbnail view shows your location on the image. The panel also has a zoom slider, zoom buttons, and the current zoom magnification. The Info Panel The Info panel displays information about selected objects as well as any area in the workspace directly below the position of the pointer.

Rulers, Grids, Guides, and Smart Guides When opening a new document, the document rulers, guides, and grids are hidden from view. These visual aids are a must when creating art that requires precision alignment. Each can be easily turned on and off, and customized to meet your every need. The rulers will automatically display the unit of measure selected when you created the document points, picas, inches, millimeters, centimeters, or pixels.

To see special artboard rulers directly above and along the left edge of your artboard, select View Show Artboard Rulers. Guides Once your rulers are displayed, you can easily drag nonprinting vertical and horizontal guides into the page to assist you with the alignment and placement of objects and text. To create a guide, click the inside of the top or left ruler and drag your mouse into the workspace.

Drag the guide indicator into the desired position on your artboard and then release. Repeat this process to bring additional guides into the workspace as needed. Figure shows a document with two guides in place and a third in the process of being placed. Guides can display as either lines or dots and in any color. N To lock and unlock guides, select View Guides Lock. Snap to Grid When grids are visible, you can specify that Illustrator snaps objects to the gridlines when repositioning objects in the workspace.

The grid need not be horizontal! Once you click OK to close the dialog box, the grid will display at the new angle. So awesome! Smart Guides Smart Guides are visual aids that assist you with the creation, placement, alignment, transformation, and editing of objects.

You can then drag objects to the desired position in the workspace and have them snap into place when the mouse pointer moving the object gets within 2 pixels of the anchor point.

You can actually feel the snapping occur with your mouse! The default full-color view of your page is called Preview mode. You can change this view to Outline mode so you see only the outlines, or paths, of your work without any color, gradients, or patterns applied to the fill or stroke. To switch from Preview to Outline mode, select View Outline. To return to Preview mode, select View Preview. Figure shows an object in both Preview and Outline mode.

Print Tiling Tool The Print Tiling tool, located in the flyout menu under the hand tool on the Tools panel, lets you adjust the printable area of your artboard, which by default matches the size of the artboard s minus any margins as specified by your chosen printer. To adjust the printable area, select the Print Tiling tool and click the artboard. Any work that falls outside these printable area guides will not be printed. With multiple artboards, each artboard has its own page tiling printable area that can be adjusted with the Print Tiling tool.

The Bridge can be launched from any Adobe CS software application and supports both native Adobe and nonnative file formats. When the Bridge opens, use the Folders panel on the left side of the application to browse for and find folders and files on your computer. The Content panel in the center of the Bridge will display thumbnail views of your files inside the selected directory. This is a wonderfully powerful program that can streamline your work process and perform tasks such as batch renaming files, let you apply star label ratings to your files, preview files in a Slide Show format, and much more.

When the page opens in your browser, click the Adobe Bridge link on the left to expand the navigation menu. Then click the Working With Adobe Bridge link to begin learning more about this useful tool. The Shape Tools Making shapes in Illustrator is incredibly easy to do!

In fact, all of the shape tools work in a similar fashion, so once you learn how to use one, you can apply those same skills to the rest. The shape tools are all located in the flyout menu under the Rectangle tool.

How to Do Everything: Adobe Illustrator CS4 Because Illustrator is a vector-based program, all the shapes are drawn mathematically, which means you can alter the size of them as often as you like without any loss of resolution. You can even do things like enter the size of the shape in one unit of measure, such as inches, and have Illustrator automatically convert those units into another unit of measure, such as pixels.

Once shapes are created, you can modify their strokes and fills and further transform them with the other tools. Figure shows a star can be transformed into something new. For best results, use the following guidelines when working with the shape tools:.

Once the origin is set, drag in any direction to create the desired shape. For instance, drag up or down to create a tall shape, drag to the side to create a wide shape, or drag diagonally to create a more proportioned shape. The SHIFT key also constrains the paths and objects created by the other shape, pen, and line tools by aligning them to the artboard as you drag, or by ensuring the objects conform to or degree angles.

N Creating shapes with exact measurements To create shapes with precise dimensions, select the desired shape tool on the Tools panel and click once on the artboard without dragging. You can see these anchor points and paths as blue lines and blue dots around the edges of any selected object, like the example in Figure The Rectangle Tool Use the Rectangle tool to draw rectangular and square shapes with hard-edged corners.

Once you understand how to draw this shape, you can apply the same techniques for drawing shapes with the other tools. Select the Rectangle tool on the Tools panel. Click and drag your cursor diagonally on the artboard to create the desired shape. Release your mouse to add the shape to the artboard. In new, blank documents, the Stroke and Fill colors are set to a default white fill with a black 1-pt stroke. When you need to create a rectangle or square using exact width and height measurements, select the Rectangle tool and click once on the artboard, without dragging, in the spot where you want the upper left corner the point of origin of your rectangle to be.

Enter the new desired Width and Height along with the desired unit of measure abbreviation, such as 3. Click the OK button. The new shape will be added to the artboard with the same stroke and fill attributes displaying in the Fill and Stroke boxes at the bottom of the Tools panel. To create a rounded rectangle, select the Rounded Rectangle tool on the Tools panel and click and drag your cursor diagonally on the artboard to create the desired shape.

Before you release your mouse, adjust the corner radius of your shape, if desired, by pressing the arrow keys on your keyboard: UP increases the corner radius, DOWN decreases the corner radius, LEFT removes the corner radius to create square corners, and RIGHT adds the maximum amount of curviness to create super-rounded corners.

Figure shows examples of some rounded rectangles with different corner radius sizes. To create a rounded rectangle with a precisely sized corner radius, select the Rounded Rectangle tool and click the artboard. Enter the desired Width and Height with the abbreviated unit of measure, such as 1 in, and then enter the desired Corner Radius size with unit of measure, such as 12 pt or 0.

Click the OK button to add the new shape to your artboard. Once you create a shape, though you can edit it with other tools, there is no way to re-open the rounded rectangle radius dialog box to make precise adjustments to the corner radius.

Instead, your options include either creating a new shape with the desired dimensions and corner radius and deleting the old shape , or using a Convert To Shape effect, which can modify any shape into a rectangle, rounded rectangle, or ellipse.

To modify a shape using the Convert To Shape effect, select the object to be modified and open the Shape Options dialog box by choosing Effect Convert To Shape and then selecting a shape such as Rounded Rectangle from the submenu.

When the dialog box opens, select Absolute to precisely resize the shape, or choose Relative to modify the size of the shape by adding extra width and height. When applicable, enter the desired Corner Radius. To preview the shape effect, check the Preview checkbox. To accept the transformation, click the OK button. To reject it, click Cancel. The Ellipse Tool When you need to draw a circle or oval shape, select the Ellipse tool and click and drag on the artboard to create the desired shape.

Then, release the mouse to add the shape to the artboard. To create circles and ellipses with exact measurements, select the Ellipse tool and click without dragging on the artboard to open the Ellipse dialog box. Enter the desired measurements in the Width and Height fields, along with the unit of measure. For perfect circles, input the same unit, such as 1 in, in both the Width and Height fields.

Click OK to add the shape to your artboard. The Polygon Tool To draw polygons with three or more sides, select the Polygon tool and then click and drag on the artboard to create the desired shape.

Before you release your mouse, you can add or subtract. When the shape meets your needs, release your mouse to add the polygon to your artboard. To create polygons with exact measurements, including the desired number of sides, select the Polygon tool and then click, without dragging, on the artboard to open the Polygon dialog box.

Enter a radius with the desired unit of measure, such as 2 in, enter the number of sides for your polygon in the Sides field, and click OK to add the polygon to your artboard. The Star Tool With the Star tool you can draw stars with three or more sides and with any length inner and outer radius for the points.

To create a star, select the Star tool, and then click and drag on the artboard to create a star shape. Before you release your mouse, use the following keyboard shortcuts to add or subtract points as well as increase or decrease the length of the points and center of the star:. When the star has the shape you want, release your mouse to add the shape to your artboard. To draw a star that is perfectly sized with an exact number of points, select the Star tool and click without dragging on the artboard to open the Star dialog box.

Enter the desired units and the unit of measure in the Radius 1 inner radius , Radius 2 outer radius , and Points number of points fields. Then, click OK to add the star to your artboard. Figure shows a sample of the variety of shapes you can create with the Star tool. The Flare Tool The Flare tool creates the illusion of a lens flare. To use the Flare. Release the mouse to add the shape to your artboard. For example, Figure shows how different flares look by themselves and on top of other objects.

To customize the properties of the flare shape, select the Flare tool and click without dragging on the artboard to open the Flare Tool Options dialog box. Enter the desired settings to the Center, Halo, Rays, and Rings fields. For best results, enable the Preview checkbox to see the adjustments before you apply them. When satisfied, click the OK button to add the flare to your artboard, and then reposition the object as needed using the Selection tool.

The Line Segment Tools Drawing line segments with a vector tool is much simpler than trying to draw them by hand. The Line Segment Tool To create a horizontal, vertical, or diagonal straight line, select the Line Segment tool, click and drag on the artboard, and release the mouse to add the line segment to your artboard.

To draw a line with precise dimensions, select the Line Segment tool and click the artboard to set the point of origin for the line and launch the Line Segment Tool Options dialog box.

Enter the desired length and angle for the line. If no stroke color is specified in the Tools panel but a fill color is, click the Fill Line checkbox to fill the line with the current fill color. Leave it unchecked to fill the line with the color specified for the stroke. Click OK to add the line segment to your artboard. The Arc Tool Use the Arc tool to draw curved line segments. Audio Software icon An illustration of a 3.

Software Images icon An illustration of two photographs. Images Donate icon An illustration of a heart shape Donate Ellipses icon An illustration of text ellipses. Metropolitan Museum Cleveland Museum of Art. Internet Arcade Console Living Room. Books to Borrow Open Library. Search the Wayback Machine Search icon An illustration of a magnifying glass.

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